Batsheva Dance Company 1964-1980 MY STORY

History of the Faculty of Dance
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Buy Batsheva Dance Company MY STORY: Read Books Reviews - Get this from a library! Batsheva Dance Company my story. [Rena Gluck].

By then she had had the opportunity to work with Rudolf von Laban, and had choreographed works for Vienna stage productions. Despite the many difficulties that she faced in Palestine, she opened a studio of her own, and founded a new dance company.

Gertrud Kraus imparted to her students an artistic vision that was ahead of its time. She was involved not only in dance but also in painting and other forms of art; her opinions on painting, sculpture, musical composition and performance are said to have been highly valued by other artists. Kraus choreographed her works in cooperation with the dancers of her company, using an improvisational approach. In she returned to solo performance; the best-known of her solo works is Shulamit.

Culture of Israel - Wikipedia

After a period in the US, she returned to Israel and founded the Israel Ballet Theater in , heralding the transition to a new, modern-American style of dance. Up until her passing she taught at the Academy, painted, and advised Israeli dancers and choreographers, particularly those of the younger generation.

THE LOOK By Sharon Eyal - Performed by Batsheva - The Young Ensemble

Hassia Levy-Agron, who serves as its director. Levy-Agron also created the competition whose annual prizes are awarded by the Foundation. She studied and taught at the University of Manila in the Philippines, and founded the first school of dance in Jerusalem at the Jerusalem Conservatory of Music. She established the Faculty of Dance at the Rubin Academy of Music in Jerusalem and received academic recognition for her achievements, eventually earning the title of full professor.

Hassia was married to Dani Agron a member of the Haganah, founder of Israel Aircraft Industries, and noted woodcarver , mother to attorney Amos Agron, and grandmother to three.

By the s Hasia was already giving solo performances in the framework of cultural evenings and recitals. She was also sent by the Joint Distribution Committee to perform at displaced persons camps in Europe. From the s on, Hassia devoted all of her energies to enhancing the status of artistic dance in Israel; she was instrumental in the incorporation of dance into Israeli general and academic education.